Feathered Nest oil on linen panel 12 x 12
I have long had a love affair with nests and feathers and have been playing around with mixing some different techniques. This piece was begun with the background completed and the nest left only drawn in. When I was satisfied with the abstract nature of the background I used transparent red oxide and ultramarine blue, it ( makes a very rich dark) applied to the nest Then I used Q-tips, cloth and old brushes to lift out the different values of the twigs. I used :Liquin with my paint in the background and with the colors in the nest. When all was dry (the next day) I used thinned down transparent red oxide and ultra blue in varying mixtures mixed with Liquin thinned down with about 50% Gamsol.and applied the juicy mixture for the branches and then tilted and let it run in the direction I wanted, sometimes guiding the drip with a brush full of my thinned down Liquin.
I was very slow in developing the branches, doing only a few at a time. Then when that was dry painted the detail necessary to tell my story, many areas of the nest remain the wiped out beginnings. This is fun and challenging.
Friday, May 16, 2014
Tuesday, April 29, 2014
In the Wild
In the Wild 6 x 6 oil on panel
I love flowers but the wild ones are my favorites, they grow in unexpected places and bring a sparkle of color. These were on the grounds of Mt. Carmel where I teach painting most of the summer. I walk the path along Lake Carlos where it is located and each of the nine years I have been there give me new delights.
This is a small painting with big impact.
I began using the grisaille method described in my Strutten post. I used sap green and a bit of dioxanine purple covering the panel with those oil colors and liquin. when that was done I used rag, Q-tips and dry brushes to lift out the color where the flowers, lighter leaves and grasses would be. Then when that was dry I used my oil colors with a touch of liquin to give the color you see. This is an almost magical way of having the painting almost paint itself and simply "appear".
I love flowers but the wild ones are my favorites, they grow in unexpected places and bring a sparkle of color. These were on the grounds of Mt. Carmel where I teach painting most of the summer. I walk the path along Lake Carlos where it is located and each of the nine years I have been there give me new delights.
This is a small painting with big impact.
I began using the grisaille method described in my Strutten post. I used sap green and a bit of dioxanine purple covering the panel with those oil colors and liquin. when that was done I used rag, Q-tips and dry brushes to lift out the color where the flowers, lighter leaves and grasses would be. Then when that was dry I used my oil colors with a touch of liquin to give the color you see. This is an almost magical way of having the painting almost paint itself and simply "appear".
Sunday, April 27, 2014
Path of the Morning Rays
Path of the Morning Rays 6x8 oil on canvas panel
This is the view I see each morning out my front window, the sun's rays at sunrise sneak through openings in the houses and landscape and illuminate with a delicate light the joy of sun in the morning.
Yes, this is snow and no, we don't have snow today, but heavy rain and unseasonably cold for Spring.
However, this scene makes me feel warm and happy.
Enjoy the moment.
This is the view I see each morning out my front window, the sun's rays at sunrise sneak through openings in the houses and landscape and illuminate with a delicate light the joy of sun in the morning.
Yes, this is snow and no, we don't have snow today, but heavy rain and unseasonably cold for Spring.
However, this scene makes me feel warm and happy.
Enjoy the moment.
Friday, April 25, 2014
Strutten His Stuff
Strutten His Stuff 16 x 20 oil on canvas
This handsome devil is going to steal the hearts of some young chicks. The technique on this oil is a bit different from what I usually do in oils.
To begin color is rubbed all over the canvas, in this case yellow ochre and burnt sienna and in the lower two thirds burnt umber.The oil color is mixed with a medium, I used Liquin. You then carefully lift away the areas you want light and medium in value and leave the darks as is. This was a technique used by the old masters and is called a grisaille (gree' zay). Originally done in gray or in all umber tones, this is a fun little variation.
The lights of the canvas show through wherever you wipe away the paint. Then I chose to embellish the painting when the wipe out layer was dry. More fun than I care to admit.
This handsome devil is going to steal the hearts of some young chicks. The technique on this oil is a bit different from what I usually do in oils.
To begin color is rubbed all over the canvas, in this case yellow ochre and burnt sienna and in the lower two thirds burnt umber.The oil color is mixed with a medium, I used Liquin. You then carefully lift away the areas you want light and medium in value and leave the darks as is. This was a technique used by the old masters and is called a grisaille (gree' zay). Originally done in gray or in all umber tones, this is a fun little variation.
The lights of the canvas show through wherever you wipe away the paint. Then I chose to embellish the painting when the wipe out layer was dry. More fun than I care to admit.
Sunday, April 20, 2014
Llit by Sunlight
Lit by Sunlight 12 x 12 in Oil on Canvas
This painting was inspired by sunlight coming in the front window illuminating the yellow begonias I had received as a get well gift. How lucky am I to enjoy the plant twice once in my house and once trying to capture it in paint.
This painting was inspired by sunlight coming in the front window illuminating the yellow begonias I had received as a get well gift. How lucky am I to enjoy the plant twice once in my house and once trying to capture it in paint.
Sunday, March 16, 2014
Frosted Morning
Frosted Morning 10 x 18 pastel on board
I am posting this painting after hours of trying to get the color better, the actual painting is softer in color, really showing the delicate color of this scene in early morning fall near our home.Just the edges of trees and grass were touched with frost giving an almost feather like appearance.We see frost in winter but very seldom see it in this venue early in the morning.
I am posting this painting after hours of trying to get the color better, the actual painting is softer in color, really showing the delicate color of this scene in early morning fall near our home.Just the edges of trees and grass were touched with frost giving an almost feather like appearance.We see frost in winter but very seldom see it in this venue early in the morning.
Thursday, March 13, 2014
Beauty on the Pond
Beauty on the Pond 6x6 oil on panel
The warm lilies against the cool lily pads and water seem to glow. These have always intrigued me and always are the center of attention in any pond. This is one variation of two that I have done, I will post the other painting as well in days to come.
The warm lilies against the cool lily pads and water seem to glow. These have always intrigued me and always are the center of attention in any pond. This is one variation of two that I have done, I will post the other painting as well in days to come.
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